I had the privilege of participating in the AUW–Oxford Information and Networking Session on 9th January 2026, a collaborative event designed to bridge academic pathways between the Asian University for Women (AUW) and the University of Oxford. The session served as an inspiring forum for our community, offering deep insights into the pursuit of academic excellence and global leadership.

We were honored to welcome two prominent representatives from Oxford’s Somerville College: Baroness Jan Royall, Former Principal of Somerville College and member of the UK House of Lords, and Sara Kalim, Fellow and Director of Development at Somerville College. The session went beyond traditional academic discussions; it was a masterclass in navigating the complexities of higher education. The speakers shared their personal journeys and provided a roadmap for students and scholars looking to engage with world-class institutions.

A particularly significant highlight was the announcement regarding our upcoming 12th Commencement Ceremony, where AUW will confer an Honorary Doctorate (Doctor of Arts for Leadership and Educational Equity, honoris causa) upon Baroness Jan Royall. This recognition celebrates her extraordinary achievements and her unwavering commitment to educational equity—values that exemplify the vision and mission of the Asian University for Women.

Listening to these distinguished leaders was a transformative experience. Our community left the session feeling empowered by the possibilities for future collaboration and the academic journeys that lie ahead. The exchange of ideas and the spirit of mentorship present today underscore the strength of our international academic ties and the bright future of the AUW community.

On December 21, I had the pleasure of appearing on Maasranga Television’s popular morning show, "Ranga Sakal." It was a wonderful opportunity to share my musical journey with a wide audience through a curated selection of my favorite songs. 

During the live session, I performed a diverse repertoire that reflects my musical roots and versatility, including Nazrul Sangeet, Modern Bengali songs (Adhunik), and Folk classics. My sincere thanks and gratitude to Zahidul Islam Zinnah for the kind invitation to such a beautifully produced program. It was truly a morning to remember.

This is my recurring guest artist appearance since May 2018.

Read my editorial in the 4th Edition of The Learning Gazette, the official trimester magazine of the Pre-UG Learning Center. To read the full magazine, click here. This magazine was crafted with dedication by our Pre-UG students of Asian University for Women, published on 26 November 2025.

When you read it, you will see the legacy of our collective effort. You will encounter our students’ dreams, experiences, and triumphs. It showcases the seeds of purpose we plant in classrooms, tutoring sessions, workshops, meeting rooms, and every space where students think, grow, and lead. These students are changemakers, and this magazine is a testament to the seeds we have planted together.

So, when you get a chance, take a short break from your day, grab your favorite drink, put on some music, and enjoy the students’ voices and the heartfelt work that brings so much color, energy, and collective accomplishment to our community. 

On 20th December, I had a wonderful experience visiting the University of Creative Technology, Chittagong, where I had the chance to connect with inspiring educators and engaged students. 

It was a pleasure to spend time with the faculty members and students, catch up, learn their thoughts, and interact in front of such a warm and welcoming audience. The session was titled “Presentation With Canva,” where I focused mainly on the presentation aspect—how students can communicate effectively and present confidently to achieve academic success.

It was especially pleasing to see the students’ eagerness to learn, their thoughtful questions, and the overall positive energy in the room. It truly reminds him that knowledge expands when it is shared with others.

Incredible energy at the Teach For Bangladesh Career Summit 2025 at Frobel Academy, Chattogram! It was a privilege to reconnect with alumni and meet current Year-2 Fellows.

I had the opportunity to share lessons learned, answer thoughtful questions, and support these emerging leaders as they step into their professional journeys. Their curiosity, enthusiasm, and drive to make an impact were truly inspiring.

Thank you, TFB, for this wonderful opportunity to connect, contribute, and witness the next generation of changemakers.

Rooted in Purpose, Driving Impact.

My editorial featured in Edition 02 of The Learning Gazette, the official magazine of the AUW Pre-UG Learning Center, released on April 24, 2025.

Writing this piece reaffirmed my deep appreciation for expressing ideas through words. 

It was a pleasure to welcome Dr. Alastair Hagger, Director of the UG Writing Center at AUW, to the Pre-UG Learning Center. Together, Dr Hagger & I discussed meaningful ways to connect the two centers and create a more dynamic, engaging, and empowering learning experience for students.

As the Coordinator of the Pre-UG Learning Center, I valued the opportunity to exchange ideas on how the teams can jointly enhance student learning through stronger academic support, creative initiatives, and shared expertise. The conversation was insightful and sets the stage for impactful collaboration ahead.

As a Teach For Bangladesh Alumnus and AUW Learning Center Coordinator, I was recently featured in an interview with Teach For Bangladesh. The discussion focused on my mentorship role at AUW, where I empower students hailing from 17 countries. My commitment to creating inclusive, multicultural learning spaces is key to shaping future women leaders across Asia, the Middle East, and Africa. 

On February 10, 2025, my rendition of Kazi Nazrul Islam’s devotional masterpiece, "Ogo Antorjami" (ওগো অন্তর্যামী), was released by Bashori - A Nazrul Center. The program was thoughtfully planned by Dr. Engineer Khalekuzzaman and hosted by the eminent poet and presenter Rezauddin Stalin.

This soulful song is a prayer to the "Knower of the Heart," emphasizing a direct, spiritual connection with the Divine that resides within. By focusing on the "Inner Knower" who sees beyond outward rituals and religious labels, the song encourages a path of universal love and humanity.

Performing this piece was a deeply reflective experience, allowing me to share Nazrul’s vision of a spirituality.

You can watch the performance here.

It's a great pleasure to attend the AUW Graduation Day 2025 as a faculty member and Learning Center Coordinator, celebrating the achievements of the students. The event featured Dr. Paula A. Johnson, President of Wellesley College, as the commencement speaker. Earlier that week, AUW hosted a special international conference with guest speakers and alumnae sharing their insights. It was a memorable moment highlighting student accomplishments and academic milestones. 

Raidah Ali Arya, my former student from the Scholastica Mirpur Campus, secured 2nd place in Bangladesh in the Live Mental Math World Cup Competition 2023. Among 54 countries and 7122 participants, she ranked 117 internationally. 

She has achieved greatness in the International Mathematics Olympiad (IMO) with a fifth international rank and second zonal rank. 

Additionally, she secured first place globally in the International Conquest IQ Olympiad, earning a gold medal and certificate.

As her class teacher, Mr. Karmaker has witnessed her incredible potential and could not be prouder.

Congratulations, Raidah, on these remarkable achievements!

It's been a pleasure to revisit Scholastica to watch their Senior Annual Drama, Encanto. I felt proud seeing my former students perform with such confidence and talent—and reconnecting with colleagues and parents was genuinely heartwarming. Moments like these remind us why being an educator is so meaningful. 

Spring Rhapsody 2024 was a resounding success, serving as a vibrant celebration of unity, learning, and shared growth. Meticulously planned and executed by a dedicated team of Teaching Fellows, Instructors, Teaching Assistants, volunteers, and students, the event stood as a testament to the power of collaboration.

The program was designed to inspire participants to become "architects of their own destinies", using shared experiences as stepping stones toward a brighter tomorrow. Through a mix of cultural expression and academic reflection, the event fostered deep bonds and celebrated the pride of collective achievement. As a triumph of teamwork and vision, Spring Rhapsody 2024 leaves behind a lasting legacy of empowerment, proving that when a community gathers to chase shared dreams, they don't just learn—they flourish.

I performed Nazrul Sangeet at the Chhayanaut Auditorium on May 25th, the second day of Nazrul Utsab 2024. Singing a romantic piece of Kazi Nazrul Islam at such a respected cultural event is a deeply meaningful honor.

My heartfelt thanks to Chhayanaut, Mr. Khairul Anam Shakil, and Mrs. Kalpana Anam for this invitation and their generous support.

My third original single, "Tomay Pawar Jhor," is now available. This release marks another milestone in my journey as a classical artist and independent musician. 

I am honored to have provided the first modern recording of Kazi Nazrul Islam’s "Amar Sokoli Horecho Hori." On February 3, 2023, at a festival hosted by the Indian High Commission and the Bangladesh Nazrul Sangeet Sangstha, I released this Bhakti Geeti which had remained unrecorded for decades.

To be the first to give voice to this melody since the poet's time is a milestone I approach with great humility. It is more than just a song; it is a piece of our history that I am proud to have helped restore for future generations.

Honored to receive appreciation from the Hon’ble HOS (Principal) of Scholastica (SRM) for my outstanding contribution throughout the year 2022–23. My sincere gratitude to the Hon’ble Principal of Scholastica, Ms. Nurun Nahar Majumdar, for her generous appreciation. 

In my latest artistic endeavor, I present "Nikhoj Biggopti" (The Missing Persons Notice), a project that is deeply personal to me. Exploring themes of longing and emotional loss, I released this song at the onset of Falgun (spring) as a dedication to everyone carrying the weight of "fire-burnt hearts."

This project is a true testament to the power of collaboration, blending my lyrics and melody with a global sound. I was privileged to work with Hayat Selim from Egypt, who provided the haunting ethnic humming, and Surajit Bondhopadhaya from India, who handled the mixing and mastering. Together, we bridged borders to tell a universal story. My deepest gratitude goes out to the incredible cast and crew who stood by me from the very beginning of this "story of the lost."

On January 24, 2022, my rendition of the classic Nazrul Sangeet "Onek Cilo Bolar" (অনেক ছিল বলার) was released by Bashori - A Nazrul Center.

This song is one of Kazi Nazrul Islam’s most poignant romantic compositions (Ghazal). It captures the profound melancholy of unspoken emotions and the grief that comes with a sudden parting. The lyrics reflect the heavy heart of a lover who realizes, too late, that there was so much left to say, yet time and distance have now rendered those words silent.

Performing this piece required a deep emotional connection to the themes of longing and missed opportunities, which are central to Nazrul's romantic works. It remains a deeply personal performance for me, echoing the universal human experience of holding onto words that were meant for a beloved who is no longer near.

You can watch the performance here.

My poem titled "Sorbosso" (সর্বস্ব) was featured and recited by the talented voice artist Shahidul Islam Pappu. Released on February 11, 2022, on the YouTube channel Shobdolok, this recitation beautifully captures the deep emotional nuances and nostalgic essence of the written piece.

The poem is a reflective journey through memories, dreams, and the spiritual connection between souls that transcends social boundaries and physical distance. It was a privilege to see my words brought to life through such a soulful and resonant vocal performance.

On December 29, 2021, my performance of Kazi Nazrul Islam’s satirical song "Tiki R Tupi" (টিকি আর টুপিতে) was released by Bashori - A Nazrul Center.

This classic piece is a profound critique of religious dogmatism, sectarianism, and the superficial markers of faith that often divide humanity. By focusing on the Tiki (Hindu tuft of hair) and the Tupi (Muslim skullcap), Nazrul highlights the hypocrisy of religious bigotry and the social stigma attached to outward rituals.

Performing this song was a meaningful opportunity to echo Nazrul's timeless message—that true spirituality lies in humanity and mutual respect, rather than in the divisive walls of religious labels and dogmatic traditions.

You can watch the performance here.

During the challenging times of the COVID-19 pandemic, I initiated and hosted 'Ten এ Tune Live_Karma', a Facebook Live series that aired at 10:00 PM on selected days from May 5 to June 12, 2020, on a Facebook group named "গান শোনাই গান ভাবাই"(https://www.facebook.com/groups/letsbreathemusic). 

This project served as a relaxing initiative designed to soothe minds and keep spirits high during a time of great uncertainty.

Across 12 episodes, I served as the host, curator, and performer, managing the entire creative process from artist selection to live presentation. It was a privilege to feature performances by talented artists, including Sharifur Rahman, Tawsif Ahmed, Bitu Shil, Senjuti Barua, Moumita Mumu, Priya Dutta, Navanita Hridi, Priyanka Bhattacharjee, Nowshin Omi, Arham Sadaf Arpon, Latifun Julio, Gaanraj Badal, Anik Karmaker, and myself.

Beyond just entertainment, it was a heartfelt journey of music, poetry, and conversation that provided much-needed comfort and brought our community together when we were physically apart.

Participated in the Empatico Empathy Project Fellowship, an initiative by The KIND Foundation that empowers teachers and students to explore the world with curiosity, kindness, and empathy.

Through four interactive sessions with a partner class, my students learned about the Global Goals and collaborated to design meaningful actions for positive impact. This fellowship allowed them to connect with peers worldwide, fostering global citizenship and collaborative learning.

I'm excited to apply these insights to create a more connected classroom and to share key learnings with fellow educators in his home country.

I recently had the pleasure of joining an inspiring session of "Surokahon: The Wave of Magic" to discuss the vibrant and evolving landscape of Bengali culture. This virtual gathering served as a vital bridge between West Bengal and Bangladesh, allowing us to dive deep into the shared arts and language that unite our two regions.

The session, thoughtfully moderated by Dipanjan Pal, was an intellectual and musical exploration alongside my co-panelists Sejuti Barua, Samyo Karfa, and Samiul Islam Polak. It was truly a night of "open-hearted conversation," where we explored how our generation continues to draw inspiration from our roots while looking toward global horizons.

On May 20, 2018, I had the distinct honor of appearing as the featured guest on Maasranga Television’s popular morning show, "Ranga Sakal." This live broadcast, which aired from 8:00 AM to 9:00 AM, marked a significant milestone as my first major live television appearance.

The program provided a wonderful platform to share the various facets of my identity. Beyond performing a curated selection of Nazrul Sangeet, I had the opportunity to engage in a deep conversation about my multifaceted journey—ranging from my roots in music to my dedication to academic research and teaching.

It was a truly memorable experience to connect with a national audience and discuss how my musical passion intertwines with my professional and academic pursuits. My sincere gratitude to the Maasranga TV team for the warm invitation and for producing such an elegant program that celebrates art and intellect.